So, I'm gonna assume for a second that most of you watch "Grey's Anatomy". And if you don't, you probably should.
Anyway, in the incredibly pivotal, had-me-bawling-on-my-couch, didn't-see-that-coming, amazing 100th episode this past spring, Izzy Stevens ended the episode with this voiceover:
"You never know the biggest day of your life is the biggest day. Not until it's happening. You don't recognize the biggest day of your life, not until you're right in the middle of it."
Now, let me be clear, today was not the biggest day of my life. Far from it.
But several things happened, that well, when I woke up, I had no idea such wonderful and crazy things would happen.
And I definitely wasn't prepared to have one of the most delectable meals of my life.
But it happened!
Today was my first 5 show day. Or as we called them at MGR... 5 doe shays. I don't know why. We just did. It's clever and typical of we "creative types" to constantly modify and twist and abbreviate the English language. I think it's 'cause we get bored and have nothing better to do with our over-active brains.
Anyway, it was actually quite a treat to do 5 shows and break up the monotony of so much time backstage in the dressing room.
And well, when one of our Mickeys got hurt this morning, it didn't seem like that big of a deal. We delayed the second show by 7 minutes and brought in another performer to fill in the rest of the day.
But I don't think anybody saw a second Mickey fainting on the horizon.
I mean, the curtain closed after the fourth show, and BAM! Mickey was down.
(I know. I'm a REALLY bad employee and publishing these secrets, but hey, I didn't go through Disney University so I technically don't know any better.)
Even weirder was the fact that everyone just sat there fanning Mickey... with his head still on!
Finally they got the performer to the dressing room and out of costume, but well, we had now already exhausted 2 Mickeys...
And we only had 1 more performer. Which was kind of rough, because she was actually supposed to be Marie the Cat (they're split tracked), which meant we only had the choice of Mickey or Marie.
I think you can figure out who Disney felt was more crucial to the show.
He does play the drums after all...
So we had a very sudden meeting about 6:45 (our final show is at 6:53 -- I know, who schedules shows at 6:53 and 12:23?!) to inform everyone what the plan would be.
And since, well, Mickeys were dropping like flies, we didn't have enough characters for the show, which meant the whole middle character section (Marie, Daisy, Minnie) of our show would have to be cut. And since we didn't have time to rehearse the bows without the 3 characters (who couldn't bow if their numbers were cut), that meant the bows were cut.
So, now just imagine.
You are at Disney Sea for the day. And you have decided to enjoy the last BBB of the day. You can be a fan who's seen the show a bajillion times or a first-timer. It doesn't really matter, though being a fan is probably a more relevant choice. As a polite Japanese person, you patiently wait when the show is delayed 17 minutes. Because apparently there's an "unforeseen technical emergency and BBB will start as soon as possible".
AKA we don't have enough characters to put on our little skit.
And so when we finally start, 17 minutes late, you have NO IDEA that the show is about to stop 15 minutes in. Which, guess what, is secretly planned, and all the people onstage are like "those suckers out there have no idea they're about to get half a show". And so it does stop, and you patiently wait while "an unforeseen technical emergency is fixed".
AKA Marie the Cat, Minnie Mouse, and Daisy Duck are NOT going to appear as one might expect. End of Act 1.
And so, when the doesn't-really-exist Act 2 begins and the show restarts 5 minutes later (because the rest of us had to change our clothes and get into the orchestra pit) and 5 minutes further in to the normal show, you might think, "Oh well, I guess we won't see "I Love a Piano" today", but you have NO IDEA that the show is going to stop again! And not finish! What, you say? The people onstage actually knew that?!
That's right. Just when you've enjoyed the show and watched Mickey tap dance and play the drums and NOT faint, the curtain's gonna come down, and the much anticipated bow/chaser/character-waving-extravaganza is just magically NOT going to happen. Sorry! Come back and see us tomorrow!
Seriously. That was the end of my day. I mean, wow. What am I supposed to do with that?
Now, separately, take yourself out of the fan's shoes and plop yourself into mine. I made plans to meet up with an old friend from high school in Roppongi for dinner. It is his last night in Japan after all after 2 years here, and I haven't seen him since I graduated 8 years ago. So when the Japanese decided to have a big Indian powwow last minute and get everyone's approval and opinions on the above changes to the show, it didn't really mesh well with my plans to meet him in town after work. Because now I was unexpectedly (and quite unusually) getting out of work 20 minutes late.
And see, by my own choice, I don't have a cell phone here (I quite like not being plugged in at all times). And local calls aren't free here. So I asked Beck to borrow her cell to call Todd and let him know I'd be late. Only I copied the number wrong or his phone was lame or who knows what... but it didn't work and now I was pressed for time.
So when the show came down, I sprinted to catch the bus that left four minutes later from the theatre, and RAN the whole 3/4 of mile from the employee entrance to the station, only to miss the 7:54 train by less than one minute. And that was the last train I could catch to be on time. Ugh.
And since I had RAN, I didn't have time to add money to my Suica. And it was freakin' humid. So I was sweating on the platform, the next train wasn't till 8:03, and I had sprinted for no reason.
Then, at Hatchobori, I rushed to make the connection, and for some strange reason, there were no fare adjusment machines to add money to your Suica inside the fare gates. So I went to the booth man, and rather than taking my 1000 yen and adding it to my Suica to pay for the fare, he took the 20 yen off the card and gave me 800 yen in change. RUDE.
Then when I tried to add money to the Suica before switching lines, the machine wouldn't let me do it with the change, so I just pressed a bunch of buttons and somehow got a 780 yen ticket. Which didn't work at the next fare gates. Nor would my Suica reload. So I just bought the fare to get there.
And eventually I did the same on the first leg of the way home. But foolishly, rather than asking for help or trying to add that ticket back to my Suica for the second leg, I assumed, like a bus pass, that I could put the ticket in the machine since it was more than the fare, and then get a punch or a new ticket for the new amount when I reached my destination. Especially since the Japanese will CHASE YOU DOWN if you leave 10 yen extra at a table or your change in a vending machine.
NOPE. Not the JR line. It delightfully flashed "Thank You" and devoured my 8 dollar ticket for my 2 dollar ride.
So, my rushed, miserable return trip to Roppongi that should have cost about 740 yen actually cost 1360.
All because Mickey fainted.
BUT,
I got to have one of the most delicious dinners of my life and catch up with an old friend. And who doesn't love a good excuse to splurge on a delicious meal?! Someone's last night in Japan after 2 years definitely sounds like a good excuse to me!
And so, for 10000 yen each (100 bucks), we had 2 beers each, plum wine, hot sake, kobe beef skewers, toro (fatty tuna) skewers, stuffed shiitake mushrooms, tempura, edamame, incredible grilled mushrooms, bacon-wrapped asparagus, a spicy tuna roll and a crab california roll with parmesan cheese on top. And every bite was D-E-LIGHTFUL!
Gonpachi is the restaurant where supposedly Quentin Tarantino got his inspiration for the big restaurant fight scene it Kill Bill (it sure looks a lot like this place), and it's super gaijin-friendly. Maybe a little too catered to and crowded with foreigners, but the food was delicious. And worth every yenny of my splurge.
In truth, though, what a blessing to see Todd after 8 years on the other side of the world and hear stories about how you and your friends had a positive impact on him. To be reminded that you encouraged your teacher/mentor to accept him into the next year's Expressions, and that experience helped him grow out of his shell. I guess it's a lesson that we don't always realize what impact our leadership and actions can have on others. But what an affirmation.
Oh. And I found my first gray hair today.
Or at least I think I did, and after consulting all the other gai-jin performers (both before and after it was plucked out), they seem to think so as well.
Oh. And did I mention it was an eyebrow hair?! WTF?
The best part is, I actually found the whole thing funny. It didn't really bother me. That's probably because it's not really unsettling until they're on the top of your head, receding, and there's a whole bunch of them. Hello 26, hello 30, hello old!
So, much like Izzy Stevens, I really had no idea today would be such an interesting day when I woke.
Especially when I realized something in the middle of the 2nd show onstage...
There was a point 10 years ago when I told my father in the Suburban on Kingsland one night that I just couldn't stand the thought of being behind a desk for the rest of my life. It was the exact moment when I voiced my feelings and began to believe truly that I wanted and would make a career in musical theatre for myself.
And somehow, in the shuffle of Tokyo, despite continually counting my blessings, somewhere along the line, I never realized that that kid who believed that has actually grown into the man who has made those dreams come true nearly every day for 4 and a half years. My brain stopped. And I realized that I'm really doing this. My life and my work is performing every day. And I'm so happy.
And even better? I get to do it alongside Mickey Mouse.
Even if he faints once in a while.